Caroline Mathilde: Concert Suite from Act II of the ballet

Sir Peter Maxwell Davies (1934)

Caroline Mathilde: Concert Suite from Act II of the ballet 1991

2222 - 2220 - timp - perc(2) - harp - strings
Duration 
32
Solist 
Publisher 

This suite begins with the act's opening number: a boisterous, stamping dance to which the people rudely mock Queen Caroline Mathilde and her lover Struensee. After this comes a dark Adagio, The Conspiracy, in which the theme passes like persuasion from mouth to mouth, its variations suggesting the different attitudes of the conspirators, firmly controlled by the brass-driven gestures of the Queen Dowager. The conspiracy then works itself out at a court masked ball, from which the suite includes two dances: a gavotte, and a slow, lubricious passacaglia that is a pas de deux for Caroline Mathilde and Struensee. The Arrest comes with a gathering rush of music that envelops the King, the Queen and Struensee, leading to a vociferous climax in which they are held apart. In The Execution, slow white music for wordless female voices, harp and low strings is interrupted by pathetic, alienated outbursts from the King. The suite ends, as does the ballet, with a quiet adagio lament for clarinets and alto flute as the Queen goes into exile.

Performances 
6.10.92 Royal Festival Hall, London: Royal Philharmonic Orchestra/Sir Peter Maxwell Davies
12.8.14 BBC Proms, London: BBC National Orchestra of Wales/Thomas Sondergaard
2
Flute
1st doubling piccolo, 2nd doubling alto flute
2
Oboe
2nd doubling cor anglais
2
Clarinet
2nd doubling bass clarinet
2
Bassoon
2nd doubling contrabassoon
2
Horn
2
Trumpet
2
Trombone
1
Timpani
2
Percussion
clashed cymbals, suspended cymbals (small and large), glockenspiel, flexatone, bass drum, anvil, tam-tam, crotales
1
Harp
(Esc)